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When their point of view finally emerges towards the end of the novel, what is revealed are deeply troubled lives of children and youngsters deprived of solid family and societal structures of support. Ultimately, through this novel, the author argues that there is a decisive pattern of continuity in the racist ideology intrinsic to colonialism in postcolonial Portugal, particularly in relationship to African immigrants and their descendants.

By the same token, there are other key sites of cultural and artistic production, such as popular music, theater, and visual arts beyond cinema , where there is a presence of unmediated African and Afro-Portuguese voices that heretofore have seldom been the object of critical reflection, but that will surely become the focus of future studies.

Almeida, M. Antunes, A. Lisbon: Dom Quixote. Baillie, M. Lisbon in the years , , and London: John Murray.

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Barreto, A. Portugal: Um retrato social vols. Batalha, L. The Cape Verdean diaspora in Portugal: Colonial subjects in a postcolonial world. Lanham, Maryland: Lexington Books. Bhabha, H. The location of culture. Blackmore, J. Moorings: Portuguese expansion and the writing of Africa.

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Minneapolis: University of Minnesota Press. Calado, P. Universidade de Lisboa, Lisbon, Portugal. Cardoso, M. Lisbon: Atalanta Filmes. Carreira, A. Praia: Instituto Cabo-verdiano do Livro.

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Chade, J. Contador, A. Cultura juvenil negra em Portugal. Oeiras: Celta. Costa, P. Juventude em marcha. Deleuze, G. Dias, B. Figueiredo, I. Coimbra: Angelus Novus. Ferreira, A. In Ferreira, A. Alfragide: Texto. Fikes, K.


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Managing African Portugal: The citizen-migrant distinction. Fradique, T.

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Gilroy, P. The Black Atlantic: Modernity and double consciousness. London: Verso. Godinho, V. Os descobrimentos e a economia mundial vols. Goldberg, D. Racist culture: Philosophy and the politics of meaning.

Oxford: Blackwell. Henriques, I. Henriques, J. Jorge, L.

O vento assobiando nas gruas. Knudson-Vilaseca, E. Lahon, D. Lisbon: Entreculturas. Lisbon: MGN Filmes.


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